Scott, I am not an OMG sort of person. But, holy crap, the first edition was extremely beneficial and full of lighting wisdom. The second edition has so many extra little pearls of knowledge I am very impressed. It is exactly the sort of information to help the real estate photographer make the next step into commercial architecture and interior design. To be fair – you need more time at a shoot to practice the little “extra” details but I believe these will be come more intuitive and quicker to capture. I already give the RE agents better photographs than I charge for but practice makes perfect and I want my “next level” clients to be stoked. Tv3d sdk 6.5 crack. Thank you for sharing kind sir. Hi Scott, really love what you do, and the new website is fantastic. Curious to know whether your e-book and techniques relate equally and transferably to using strobes as opposed to “small” flash. I’m self taught and pretty well established, but always keen to learn more – there are so few resources out there – but all my experience and day to day work is done using ambient plus Elinchrom & Hensel 500w heads when I need them. You certainly deserve my $, if only for the inspiration you give (!), but is it the book for me? Hi Scott I just finished reading your book defiantly money well spent. I can tell I will need to read it several more times to fully digest all of the info you have included. I have a couple questions as well. Do you have any hard and fast rules on the initial flash power setting you use for your first exposure or do you just walk into a room and know approx. ![]() ![]() What your flash power will need to be. I know every room will be different depending on the amount of light, size, etc. I’m just trying to get from my base exposure to final exposure with fewer clicks. A chapter on using a light meter for real estate photography and how best to use it for dialing in your flash power would have been a great addition to the book. I noticed you made reference to carrying a Sekonic L358 in your case but never mention it again. I’m not a huge fan of chimping. The Essential Guide To Lighting InteriorsI would love to shoot tethered but just can’t see bringing any more gear on site for real estate photography. Aaron, Hard and fast rules are few and far betweenso no advice on flash power. Every shot is different. But you’ll gain an intuition pretty quickly. I didn’t mention the Sekonic because I rarely use it unless I’m shooting film. Barclays pinsentry app. I’d be hard pressed to find much of a difference between what the Sekonic tells me vs. What my camera’s light meter can tell me, except that I can get a hell of a lot more info from looking at the histogram on the camera than I can get from the Sekonic, besides which the camera (with it’s built-in light meter) is already in my hand. Shooting tethered is just another kind of chimping, isn’t it? Thanks for the reply, I guess I should have mentioned my dislike for chimping stems from trying to look at that little monitor on the back of my camera, (perhaps the eyes are not what they used to be) why I would like to shoot tethered. Star Wars The Essential Guide To WarfareIt always seems like what I see on the back of the camera and what I see on a monitor seem worlds apart. I get the the use of in camera meter/histogram but the in camera meter seems a little off 1/3-2/3 compared to what my 358 (reflective/incident)tells me and I seem to get a more accurate exposure from the 358. I also tend to have it out anyway since I tend to use it as remote shutter release with the PW’s. Thanks again for an awesome source of information on RE photography/lighting •.
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